Boss Me-6 Guitar Multiple Effects Manual
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Boss Me-6 Guitar Multiple Effects Manual
Trademarks and Copyrights are property of their respective owners. Login Registration is disabled. We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it. Ok. Site functionality is therefore limited. Please enable Javascript for full functionality. Boss ME6 Guitar Multi Effect. Boss ME6 Guitar Multi Effect. Comparisons may be made with the ME10, but it would be more fair to think of the ME6 as an enhanced ME5, Boss' debut all in one, floor-mounted package of a few years back. Physically, the ME6 is dominated by six big friendly pedals (labelled 1-5 and B for Bank), just like the stomp boxes we're all familiar with. However, the unit is considerably lighter and, save in one respect, more convenient than having the equivalent effects in individual packages. The drawback of having al your foot pedals in one unit is that the effects chain is preset, albeit in the most logical way, while discrete footpedals can be repatched into any configuration you like. The noise suppressor is always on, although it does have a variable threshold; this is very effective and keeps down the noise generated when a lot of compression and distortion are used. While the majority of the effects are digital (with 16-bit DACs), analogue circuitry is utilised where it is most important in the overdrive and distortion effects. Effects settings are stored as 25 presets, arranged as five banks of five effects; the Bank pedal selects the bank, and pedals 1-5 select the number within that bank. Additionally, the ME6 has a manual mode where the individual effects can be switched in and out, using the pedals. Remember that any settings made with manual mode will be lost when the unit is switched off. Connections include a guitar input, a tuner output, stereo audio output on jacks and a stereo mini-jack for headphones.
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Jacks are also provided for an expression pedal and two footswitches, one to select manual mode and one to go into bypass. Power is supplied externally, but there is an AC adaptor lead hook, which means that a pretty hard tug would be needed to disconnect the power. Note the complete lack of MIDI. Editing effects involves pressing the Edit button and scrolling through the different effects available and their various parameters, using a four-way set of parameter buttons; a pair of value buttons changes parameter values. This brings us to a problem: once you've filled the 25 locations, you're stuck. There is no way to save the memory contents externally, which is a shame, so I'm afraid it's a case of resorting to the traditional (though these days unfashionable) analogue device of pen and paper. To this end, photocopiable blank patch charts are provided at the back of the manual. Note that the original factory settings can be recalled at any time. Even though there isn't a dedicated 'amp simulator' section on the ME6 (as found on the ME10), the output is at line level, and the sound produced when plugged into a mixing desk is acceptable. I used it on a number of recordings and was happy with both the distorted and clean sounds, and also with the ease and speed of altering effects in manual mode — the ME6 is so simple that it would be very hard indeed to get lost in its operating system. The ME6 is an easy to use, good sounding source of effects, roughly equivalent to a similar collection of effects pedals; reverbs lack the artificiality often associated with units of this size and price, choruses are fat and lush, and the compressor is quite punchy. The distortion and overdrive sounds have a pleasingly analogue feel and can provide grungy noise or chunky metal with relative ease. It also scores very high on the value for money scale, at around ?40 per effect, plus the noise suppressor.
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All in all, if your budget won't stretch to Boss' ME10 and you find floor-mounting effects an attractive idea (and providing you keep the limited patch memory in mind), you won't go far wrong with the ME6. Further Information Boss ME6 ?249 including VAT. Roland UK Ltd, (Contact Details). The contents of this magazine are re-published here with the kind permission of SOS Publications Ltd. DA Conversion: 16 bit linear Great for clean sounds, while the distortion and overdrive are average. Just add your favorite fuzz pedal to the chain! I have thrown all sorts of sound at this unit with good results. Guitars, keyboards, tape players, miked vocals, drums and cats. Very intuitive interface and 25 programmable presets.DA Conversion: 16 bit linear Manual Remote Jack. Bypass Remote Jack. Headphone Jack (Stereo Mini Type). AC Adaptor Jack (AC 12V). Subscribe to our free newsletter Request a new review Really awesome. SOUND QUALITY The compressor is very good and, especially, silent. The delay and chorus are very good, just like the reverbs. The flanger is a bit less precise and watch out for extreme settings, because the sound turns muddled. The distortions aren't really bad at all. OVERALL OPINION I've been using it for 17 years It's awesome for clean sounds, but not so for distortion, although you can always add distortion pedals before it. In short, a relic, not uninteresting for fans of clean sounds, if not expensive. It lacks a phaser, though. Did you find this review helpful? yes no Well actually I just liked it because I was in my, probably second week of playing with my band. It was a pawn shop, I'm telling you right now if you go into a pawn shop you would find something with music. So I went one day and it was for 45 bones, not bad eh!, but something was wrong with it, I didn't try it out at the pawn shop, I bought it.
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When I got home, i put in my plugs and setted up, and I turned it on, oh yeah I forgot, its not battery operated, it needs its power through a ac adaptor, boss only, (BRA). So i had that, but then I figured out that the input slot was broken. I didn't like that, so I brought it in tho Long and McCaude, and the tech guy fixed it. I was so happy that day, I went home and settep up everything, and once it turned on, I was in Heaven. I played tunes from The Beatles, to Led Zeppelin, to Nirvana and Deftones, I'm telling you can play anything on this. My band and I bring it to the studio were WE practice, all the time, it get us through alot of songs. What I like about this unit is that its real easy to use, I have fun everytime I use. Theres times were I just pop in the mic and just put on alot of reverb, with delay, and makes some weird sounds, like a sound you can start before a song, if you're a songwriter.But that only happens to us. What I don't like about this unit, is that you have to use an ac adaptor Boss BRA adaptor only. I mean I want to use batteries, I have this story, I thought it used batteries, so I got a screwdriver and I opened the bottom up to see if I can install batteries. It took long to open, becasue it was an old unit, but I got it open. Once it was open I seen that it took no batteries, so I went out to Long and McCuade and bought one of those adaptors, and I was on my way jammin'. Well I never really constructed with this unit, I leave that to Long and McCaude to fix it for me. The quality is good, I mean when my band and I go to the studio, WE take a car, and its a pretty bummpy ride, and I hear stuff banging in the back. Sometimes WE get so drunk that sometimes it falls becasue were trying to fix the sound and one guy just flings it, I jump when I see it happen, but the little guys there all the time ready to jam with.
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I say this unit is really good, if I had more money I would buy one with a wah wah, but this one will always be there becasue you can use it for your voice too. This review was originally published on Did you find this review helpful? yes no. So not exactly super digital. There are all kinds of effects. UTILIZATION Probably the easiest to use that I've had multi-effects. See my old and new gear to have a point of comparison, I've had quite. SOUND QUALITY I sold this pedal after 1 or 2 years, I think, so around 1995-1996. Suffice to say that my memories are vague. I was replaced by a Digitech RP6 and a GX-700 by Boss. Then I got a Digitech Studio Quad. In short, a long series of toys before putting the budget and move to TC Electronic G-Force, circa 1999, I always today 15 years later. Is it transparent? Probably not, but when you buy this kind of thing almost as vintage as my aching knees, it is not for transparency. Distos are pretty rotten as I recall. OVERALL OPINION I got 1 or 2 years from 1994 I believe. I've never regretted it, as I have never regretted the slew of other multi-effects I had the following years. I was changing every year. Not because I am a dissatisfied but because it was really terrible eternal. It seems that the Lexicon MPX G2 is also very good, but very annoying to use; however, it would be more transparent for a guitar that TC. Otherwise, there is also the POD, in the same price, at least there good distos and amp simulations correct, things totally absent from the ME-6. 4 people did not find this review helpful Did you find this review helpful? yes no. UTILIZATION Very easy to use, 5 min on and on mastering the craft. SOUND QUALITY The effects are good quality, despite the age of the machine.OVERALL OPINION This was the first multi purpose I have tried, and the time it was nickel. Today it's still not bad. I also had a digitech RP7, but is released two or three years later.
I tried several models at the time etmon choice was directed to the digitech, pedal forces. ME6 the I, I recovered gratos then yes, I would do this choice Did you find this review helpful? yes no Finally, it is used ds 6 years SOUND QUALITY Remain reasonable: it is not the Lexicon. But for beginners or average level that does not effect pedals 40 tales in her room, great. OVERALL OPINION Just over six years of heavy use.And audio-connectors (jack). He does not sagit a rack or rack-mount model. UTILIZATION It is rather simple configuration -The selection of sounds is easy. The manual-only problem was quickly covered in anglaie edit only SOUND QUALITY -Effects are generally satisfactory except for the distortion that is not rev and flanger performance lacks precision. -I used as a studio pro 110 amp or peavey bandit 112 from home and as I play guitar on ibanez - OVERALL OPINION 12 years it is time for me to change it is bein for beginners and casual player, limited for advanced I tried the j-me-10 before buying -The price is good considering the number of effect that a. 1 people did not find this review helpful Did you find this review helpful? yes no By using our services, you agree to our use of cookies. Find out more. Used: Like NewPackaging will be damaged.Something we hope you'll especially enjoy: FBA items qualify for FREE Shipping and Amazon Prime. Learn more about the program. Please try again.Please try again.Please choose a different delivery location.In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Page 1 of 1 Start over Page 1 of 1 In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Register a free business account Please try your search again later.
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Unique new footswitches deliver twice the control of previous designs for efficient and intuitive effects switching, patch selection, and real-time sound shaping while playing on stage. The free BOSS TONE STUDIO software unlocks even more tonal possibilities, providing a cool graphical interface for tweaking and organizing sounds on your computer, plus a web connection to BOSS TONE CENTRAL for direct access to free gig-ready patches created by top pro guitarists and much more.A complete history of gig-ready BOSS tone processing is at your command, from multiple overdrives and distortions to wahs, mod effects, pitch shifters, delays, and beyond. BOSS’ groundbreaking Multi Dimensional Processing (MDP) technology is represented with the unique, spacious ambience of Tera Echo and the distinctive tone-shaping possibilities of Overtone. The onboard expression pedal can be used for foot volume and pedal effects like wah, octave shift, and Freeze, and it’s also possible to control effects parameters such as mod rate, delay oscillation, and more for expressive real-time sound shaping.Effects are organized into eight logical categories that can all be active at the same time. Seven categories contain multiple effects types to choose from, plus dedicated knobs for selecting a type and adjusting it with a set of parameters you’d find in the pedal version of the effect. The Pedal FX category has its own knob for quickly assigning a particular effects type or function to be controlled by foot with the expression pedal. With this familiar and friendly interface, you’re able to dial up and play great tones instantly, just like using a large pedalboard filled with your favorite stomps. But a major advantage over that pedalboard is that you can to save all the current knob settings to one of the ME-80’s 36 user patch locations, allowing you to recall custom effects configurations at the touch of a pedal.
However, there are times when switching among an entire group of preset effects is more efficient, such as when you’ve set up complex tones for different songs. The flexible ME-80 supports either approach, giving you the best of worlds. By entering Memory mode, seven footswitches are automatically reconfigured to select user or preset patches and patch banks, letting you recall complete multi-effects setups directly. One footswitch on the ME-80 is dedicated just for mode switching, so you can toggle between Manual and Memory modes any time you want, even in the middle of a song.In addition to the eight main footswitches, the expression pedal is equipped with an integrated toe switch that toggles between foot volume and the current Pedal FX setting.Unique new foot switches deliver twice the control of previous designs for efficient and intuitive effects switching, patch selection, and real-time sound Shaping while playing on stage. The free BOSS tone studio software unlocks even more tonal possibilities, providing a cool graphical interface for tweaking and organizing sounds on your computer, Plus a web connection to BOSS tone central for direct access to free gig-ready patches created by top Pro guitarists and much more.Quantum Networks Videos for related products 4:48 Click to play video VOX Lil' Looper Guitar Multi-Effects Pedal Manufacturer Video Next page Upload your video Video Customer Review: The 10 Best Guitar Floor Multieffects See full review Ezvid Wiki Onsite Associates Program Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness. Please try again later. Bunny 1.0 out of 5 stars He said it is made of steel, not plastic, very well constructed. He loves the many, many things that it can do, i.e.
sounds it can make and make his guitar make. I wrote the above review.and my husband did love it.right up until it quit producing any volume 3 months and 1 week after purchase. The sellers stated they had a 30 day warranty and to call Boss.Cab sim makes all the difference in the world. Once you figure that out -- and learn to use a headphone jack to turn on the cab simulator -- then this thing is the full bag of tricks. But it does take a LOT of time to learn what works well with your amp. At first all I could get was variations of harsh-fizzy. Then with experimentation with both pre-amp and distortion together I began to find sounds that worked for my styles and preferences. I only have two gripes. First, there should be a software way to turn the cab simulators on. The pre-amp section is an amp simulator, not a cab simulator. Why this can't be done via a global setting is beyond me. Second, in Memory mode (using pre-defined patches) I wish the CTRL (control) feature would trigger manual on-off for the effects foot switches. The CTRL is sort of that, but it basically acts like a second sub-patch turning effects within a patch on and off, but still not allowing manual foot control. EDIT: Ok, so I got tired of fiddling with it and not finding easy ways to edit patches on the fly, so I traded it on a Fender Mustang GT40. Although a small amp, the Mustang GT40 is 10,000 times easier to edit and manage effects than with the ME-80. I really wanted to like the ME-80, but the longer I had it the more frustrated I got. The patches are named only with numbers -- so you have to remember what sound is where. The knobs are not dynamic when editing. Say you have several patches and you decide that your venue's acoustics demand a little more reverb, chorus, or whatever. If you try to edit, you have no idea what the actual effect parameters were, and the knobs will become active in their current physical setting, not the settings for that patch when it was saved.
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The only real option is to use it in pure manual mode, which can be done but defeats the purpose of having an integrated floor unit vice separate pedals.Hey that ryhmed! So much value. However I would be ok with spending 20 extra bucks for a damn power cord. It was kind of frustrating unboxing that and finding a bunch of double A's. Now it's that one thing that I keep forgetting to order lol. Maybe I'm lazy and too critical but I would think buying an intensive piece equipment like this would call for a power cord. The device itself is great. Just make sure you pick up a power cord!I only use it for manual operation with chorus, delay, distortion, reverse and boost at my command. The expression pedal has one effect I use to accent the rest. I Love this unit because of its practicality and allows me to focus on my playing ability and not get too hung up on operating technical sound effects. An excellent point and click solution offering 7 effect pedals and an 8th pedal to switch over to patches.I was eyeing this product for several years and continued putting it off because of the price. Now after finally getting one I wish I got it years ago. In about 5 minutes of adjusting I found the clean tone and the distortion that I have been looking for all these years. I haven't come close to discovering everything available on this product and yet it has made me a better player. The confidence that you gain through hearing the exact tone you want coming out of your guitar is incredible. I am no longer frustrated and feel much more free to play what I want. Get this product you will not regret the expense on this professional grade product.I also employ the ME80 for the guitar which is incredible. I give it two channels to maximize stereo for recording. The only slight complaint is that unlike the ME80, there are no library of sounds that you can download and include. The presets are adequate enough to modify fairly quickly and get just what you want.
While I used this many years ago, single pedals were not giving me the distortion and octave tones that this unit can manage, so I came back to the Boss ME-50B. It has everything I need and a bunch of stuff I'll never use. If I could bypass the EQ, I would give it 5 stars. There are quite a few demo videos on YouTube. I suggest you watch some of them if you;re on the fence. It's the best multi-effects unit for bass that I have ever used.It just takes time to get used to it and it takes time to match specific tones that you are looking for if you are doing covers and want the sound to be the way it is on the album. A little advise is to have each channel the same volume, there isn't a specific setting for this so you'll need to work with it to get it right. Also, if you have a setlist that is more than 9 songs, you'll want to hook a computer up to it with the BOSS Tone Center that has all of your tones and you'll need to switch out the channels, it doesn't take long. All in all, this is a great product that I have used for random jam sessions to venues like the House of Blues in Chicago. It hasn't let me down.So far, I can't speak highly enough of it - it just does what I need.Sorry, we failed to record your vote. Please try again Sounds are quality and the effects are top notch. Easy to use from the start and excellent quality.Sorry, we failed to record your vote. Please try again Great array of useful effects. Worth running with a good quality power supply as I don't trust batteries. Minor irritations are that the rotary controls can get knocked in transit, so it pays to programme your preferred sounds in, and it can be a bit prone to a little interference in some environments (eg lots of dimmer racks). Would I buy another? You bet!Sorry, we failed to record your vote. Please try again For the money its a nice bit of kit.Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote.
Please try again Plugged in and started hours of fun and experimentation. Endless combinations and sounds. The Boss tone studio allows connection to computer with professional sounds transferred with the click of the mouse. I would buy the power unit as well as it eats batteries but overall a minor issue in comparison to ME80 quality.Sorry, we failed to record your vote. Please try again Quite complicated to setup though !Sorry, we failed to record your vote. Please try again Had a zoom G9.2tt for the last 12 years and got everything I could out of it. But the boss me80 is a lot more simple to use. The only downside is I have to rely on my memory for where my patches are stored. It's like having all your separates in one unit but with a memory. Love it! Just hope it can last as long as my zoom.Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again.
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