Boss Me 30 Owners Manual
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Boss Me 30 Owners Manual
Thank you, and congratulations on your choice of the BOSS ME-30 Guitar Multiple Effects processor. Additionally, in order Main Features. Includes Phrase Trainer Function. Since an AUX input jack is provided, it's easy to practice Additionally, the phrase trainer Battery Operation. The ME-30 is the first effects device in its class able to operate Talk about Naturally, you can also use an. AC adaptor (optional) if you wish. Large Display Makes the ME-30 Easy to Use. The ME-30's Liquid Crystal Display lets you know at a glance Features Analog Distortion Circuitry. The ME-30 utilizes analog circuits for distortion effects. Whether you use mild or heavy distortion, you can be sure Equipped with Expression Pedal. The ME-30 includes an expression pedal that can be used About A WARNING and A CAUTION Notices About the Symbols The 0 symbol alerts the user to items that must never The specific thing that AC adaptor (optional.). Do not attempt to repair the unit, or replace parts Refer all ser- Never place it on Use only the specified AC adaptor (PSA Series), A Do not operate for a long If you experience any hear- Before cleaning the ME-30, first turn off the power 11 If used improperly, batteries may explode or leak In the interest of safe- If any of the discharge from When using an AC adaptor (PSA Series; optional), please also observe the following precau- Do not bend it. A damaged cord can easily become a shock or fire Do not force the unit's power-supply cord to share Always grasp only the plug or the body of the AC A Never handle the AC adaptor body, or its plugs, Before moving the unit, disconnect the AC adaptor Whenever you suspect the possibility of lightning A For battery-pow- Placement Excessive heat can deform or discolor the unit.
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Maintenance Repairs and Data Important data During repairs, However, in Additional Precautions To protect yourself against the This way you will You may prefer to use head- Otherwise, When using an AC adaptor (PSA Series; optional), All rights reserved. No part of this publication may be reproduced in any form without the written permission of BOSS Main Features 1 Effects Descriptions 8 Making Connections 17. Checking Out Sounds — Play Mode 18. Arranging a Setup That's Convenient 1 — Copying Patches 20. Arranging a Setup That's Convenient 2 — Exchanging Patches 20. Arranging a Setup That's Convenient 3 — Edit Mode 21. Storing Your Sounds — The Write Procedure 23. When You Don't Want to Store Your Sounds — Escape 23. Using the ME-30 Like a Chain of Compact Effects — Manual Mode 24. Getting Only the Guitar Sound With No Effect — Bypass Mode 25. Tuning the Guitar — Tuner Mode 25. Practicing Along with a CD or MD — The AUX Input Jack 26. Copying Difficult Phrases — The Phrase Trainer Function 27. Copying Fast Phrases — Changing Playback Speed 28. Changing the Batteries 28. Restoring Factory Settings — Initialization 29. Factory Settings 30. Blank Chart 31. Before Assuming a Malfunction — Troubleshooting 32. Specifications 33. Index 34 INPUT Jack. AUX IN Jack. POWER Switch. AC Adaptor Jack OUTPUT L(MONO) Jack. OUTPUT R Jack Parameter Name. Knob Icon. PEDAL Area Parameter Area VALUE Buttons. Fast Forward Button ( ) BYPASS Button (BYPASS). TUNER Button (TUNER) Here is an introduc tion to the ME- Ws built-in effects and their parameters. Additionally, there These effec ts are connec ted in the ME- U) in the most generally used sequence. I his adjusts the volume o\ the equalizer when it You can freely set it to the depth you need, J Pf DAL Turn this on at limes such as when you are using Conversely, when you c onnect to a guitar amp on stage or in the studio, be sure to switch When you arc actually playing your guitar in a performance, With the ME- K).
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you These c ollec lions of stored settings Thirty are In Preset I he other Roth the Preset and User areas are further divided into ten Patch. Patch. Pitch. Patch Making Connections. Alter connec ting your guitar or guitar amp as described By turning on devices Electric Guitar. Player etc. Headphones. AC Adaptor A brief interval (a When using an AC adaptor with the ME-30, be sure to use only ME-30. Using other AC adaptors may result in fire or cause other If there are batteries in the unit while an AC adaptor is being used, Do not use cables equipped with an in-line resistor to connect CD Chock the volume setting of the amp or mixer you have connected. Can you hear the sound through headphones when they are When the expression pedal is functioning as a volume pedal Output is muted in Tuner mode. Checking Out Sounds The ME-.JO goes into Play mode when the power is turned on. This is the mode in whic h you can use the pedals to call up Switching Patches. To switch patches, use a number pedal (1-3) and the bank up Switching Numbers. When you press Number pedal (1 ), the number indicator (2) Y v If the patch won t switch. Pressing the Rank Up and Bank Down pedals (1 ) changes the There are ten banks, numbered from 0 through 9, which USER and PRESET in the display's character area (2). When Arranging a Setup That's. Convenient 1 Let's try setting up a sequence of patches to suit a certain We can choose one Bank Number 2,4 You c an also select a memory in a different hank. Press the. Numher and Hank pedals to select the number of the This returns you to the Arranging a Setup That's. Convenient 2 You will most likely want to rearrange the patches to suit your Simply perform the following to exchange any two patches Bank Number 2,4 You can also select a memory in a different bank. Press the.
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Number and Bank pedals to select the number of the Convenient 3 All of the effect names appear in the effect area (refer lo By pressing, the flashing effect names MASTER LEVEL in the parameter area. In that mode, You'll find it convenient if you name the sound you You can select one of tw.o different guitar icons. This When you have got the sound you like, save it by carrying out Storing Your Sounds After editing a patch, use the write procedure to store your Bank Number When You Don't Want to. Store Your Sounds BOSS ME-30 S?ttu The escape procedure is canceled, returning you to Edit The previous version of the sound returns, and you go If you like, you can select a memory in another bank. Using the Bank pedals and Number pedals, select a The write procedure is canceled, returning you to Edit mode. Chain of Compact Effects Besides Play mode, which you usually use for switching You can also get into the Tuner mode by stepping on both With no input sound (when you are not producing any When you want to record again, once you have Reverb) and the expression pedal. However, this is not because Furthermore, you Guitar Level Phrase Trainer features. In this mode, you can use Changing the Batteries When this occurs, please insert fresh If you feel that this makes Original pitch When returning all the memories (initialization) to their After all the memories have been initialized, you are Factory Settings. When shipped from the factory, the contents of the User memory are the same as those in the Preset memory. I s - OCTAVb I s - I s - I s - I s - I s - Q j. CD j I s - I s - CD if) j I s - I s - I s - I s - CD a I s - I s - I s -. CD j I s - If) I s - Zj Malfunction When no sound is produced, or when you think something No sound or only low sound. Check all connections once more. Check the volume setting of the amp or mixer you have If sound can be heard through headphones, it may be that When the expression pedal is functioning as a volume Output is muted in Tuner mode.
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Patches won't change. ME-30: Guitar Multiple Effects. AD Conversion. A I Method 20-bit ADC. DA Conversion. A I Method 18-bit DAC. Sampling Frequency Patches. Effects. Compressor. Noise Suppressor. Delay. Reverb. Guitar Amplifier Simulator Pedal Wah. Tremolo Arm. Ring Modulator. Nominal Input Level. INPUT: -20dBm. AUXIN: -lOdBm. Input Impedance. INPUT: 1 Mil. AUXIN: 47 kQ. Nominal Output Level. OUTPUT: -2()dBm. Display Custom LCD (Luminous Display). Jacks. INPUT lack. AUX IN jack (Stereo Mini Type) AC ADAPTOR lack. Power Supply. DC c ) V: Dry Batteries (R6 (AA) type) x 6. Adaptor (PSA-Series: Optional). Current Draw Carbon: 3 hours. Alkaline: 8 hours. These figures will vary depending on the actual conditions of use. Dimensions BANK Display 6, 19. BANK Down Indicator 6. BANK Up Indicator 6. BANK Up Pedal 6, 19 Bypass Mode 25 Character Area 7 Effect 8, 21. Effect Icon 7, 21. Effects Area 7. Effects Name 7 Expression Pedal 6, 15, 22 Guitar Icon 7, 22 INPUT lack (, Making Connections 17. Manual Mode 24 Number Indicator 1 8. Number Pedal 6, 18 OUTPUT R lack 6 PARAMETER Area 7. Parameter Name 7. Patch I 7, 18. Patch Name 22. PEDAL Area 7. Pedal Icon 7, 22 Phrase Trainer Function 27 Preset Memory 17, 19 FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential However, there is no guarantee If this equipment does cause harmful interference to radio or Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit. Trademarks and Copyrights are property of their respective owners. Login Registration is disabled. We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it. Ok. From stompboxes up to digital amplifiers, the evolution is always evolving. You can never keep up with technology.
That said, old guitar equipment is still good. There’s no reason why you should try to stay up-to-date with the new coolest and latest piece of equipment, you’ll just go nuts (and broke) trying. Forget that, jump on Craigslist right now and look for these following Boss ME pedals — Let’s take a walk through these different generation Boss ME Mutli-Effects pedals that you can buy cheap. Boss ME-25 Boss ME-30 Boss ME-70 Boss ME-80 Boss ME-25 Multi-Effects Processor BOSS is proud to announce the addition of the ME-25 Guitar Multiple Effects processor to its popular line of floor-based multi-effects. The compact and durable ME-25 inherits its high-quality sounds from the flagship ME-70, and packs a ton of BOSS tone tools into one amazingly affordable package. Sporting a quick and easy user interface for professionals and newcomers alike, the ME-25 features a full compliment of COSM amplifier models. The onboard Sound Library comes loaded with 60 effects combinations suitable for a wide range of playing styles. The ME-25 runs on six AA batteries or AC power, and its portable size makes it ready to rock anywhere. The ME-25 is stocked full of the best BOSS effects — distortions, overdrives, modulation effects, Delay, Reverb, Harmonist, and many more. Three heavy-duty footswitches allow the user to select sounds and perform other functions, such as accessing the built-in tuner, tapping in delay times, and enabling the SOLO feature. The ME-25 is the first multiple effect processor at this price point to include BOSS’ renowned COSM amp-modeling technology. There’s a range of classic amps from clean combos to raging stacks, along with a Super Stack function that gets big amp tone from a small practice amp. A 38-second looper is also included for real-time sound-on-sound recording. The ME-25 also includes USB connectivity, allowing users to stream audio and other data back and forth with their computer.
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A powerful librarian is available as a free download to manage sounds, and the ME-25 is bundled with Cakewalk SONAR 8.5 LE for multi-track audio and MIDI recording. Check for price. Boss ME-25 Video Demo Boss ME-30 Guitar Multi-Effects Processor Though the size of floor multi-effects processor is decreasing, the features and capabilities of these units continue to grow. Although the Boss ME-30 is only slightly larger than an average hard-bound book, it can create a multitude of sounds that once could only be achieved with a huge rack and a gaggle of stomp boxes. Add in sampling capabilities and you’ve got a serious contender in the maximum banger-per-buck race. The ME-30 packs 16 different effects into its small frame. You can use up to nine of them at once, and any one of four can be assigned to the built-in expression pedal. The ME-30 comes loaded with 30 factory presets, and the large, user-friendly LCD dispay makes loading in another 30 of your own an easy task. On board you’ll find some very flexible effects and sound-sculpting tools, including compression, seven types of overdrive and distortion, a three-band equalizer, phaser, noise gate, digital delay with up to two seconds of delay time, chorus, flanger, pitch shifter, tremolo and reverb. The pedal-assignable effects consist of volume, wah, “tremolo arm” (similar to a Whammy pedal) and ring modulator. And in addition to all these effects, the ME-30 has a built-in chromatic tuner. What really sets the Boss ME-30 apart from most other multi-effects pedals, however, is its value as a learning tool. It has an auxiliary input, which allows you to plug in a CD or tape player, put on your headphones and jam along. When you get to a part you just can’t figure out, put the ME-20 into “phrase trainer” mode and sample up to 12 seconds of the recorded music. You can loop it and slow it down to as much as.The Boss ME-30 is also exceptionally well suited for use in home studios.
Many functions are accessible only with the keypad, but most of the ones you might want to access in live performance, such as the sampling function, are accessible via foot control. The LCD is unlit, but it glows in the dark for several hours when exposed to light for a brief period. A bright single-digit LED displays which bank of settings you’re in, but whether this is a factory preset or your own creation is shown only in small letters on the LCD. Anyone familiar with Boss’ excellent array of stomp box flavors will love the ME-30’s sounds. Debate: Stomp Box vs. Multi Effects Processor. Boss ME-70 Guitar Multi-Effects Processor Boss ME-70 is a floor-based processor that offers the compact design and simplicity of a stompbox. With dedicated knobs for each section, a new, high-quality COSM engine derived from the GT-10, and added EZ Tone and Phrase Loop features, the ME-70 is the ultimate easy-to-use floorboard powerhouse. The ME-70 is made to play, and the hardware now adds a fourth footswitch for even more real-time effects control. The ME-70’s dedicated knobs for each effect section allow full, fast control over sound creation, just like a stompbox. The knobs make the ME-70 incredibly easy to use compared to traditional multi-effects units. Users will also love the new Phrase Loop function for sound-on-sound creation, with up to 38 seconds of recording time. Its EZ Tone function allows for fast and easy tone creation via simple effects presets, so players of any level can create superb tones of any genre within seconds. With a friendly design and unprecedented tone creation capabilities via COSM and EZ Tone, the ME-70 will be an essential live performance piece for guitarists. Plus, it will bring a diverse array of world-class COSM tones to any studio recording.
Dedicated knobs for each parameter for fast, friendly operation New COSM Preamp section derived from GT-10 and Legend series EZ TONE for quick, easy editing Four footswitches and Expression pedal PHRASE LOOP function in DELAY section, with 38 seconds of recording time Amazing amps, preamps, and FX In addition to its stellar COSM amp models and effects, the ME-70 is fitted with a new COSM Preamp section derived from BOSS’s GT-10 and Legend series. With the ME-70 you can dial up a world of tone, from classic to cutting-edge, with simplicity and speed. Stompbox ease It’s powerful and potent, yet the ME-70 offers the ease of a stompbox. The simple knob-based controls for each effect section makes dialing in tone easier than ever, especially with the innovative EZ Tone feature. And when you want to kick in an effect, just step on one of the four footswitches. Think of it as an array of stompboxes melded into one convenient pedalboard. Phrase Looper The ME-70’s Delay section is equipped with a dedicated Phrase Looper, which offers a lengthy 38 seconds of recording time. Play a riff, capture and loop it, and solo over it, all in real-time onstage. Amaze your audience with live multi-layered magic. Extra Expression Breathe life into your performances with the built-in Expression Pedal. Simply dial up one of the six pre-programmed pedal-control destinations (Wah, Voice, Octave 1, Octave 2, Mod Rate, and Delay Level), put your foot down, and express yourself. For more information, visit Boss’s official website at www.bossus.com. Boss ME-70 Video Demo Boss ME-80 Multi-Effects A lot of old-school guitarists will turn tail and run at the sight of a multi-effects unit. But multi-effect fear isn’t altogether irrational, because, let’s face it, a lot of multi-effect pedals and rack units are bears to work with, especially when time is short and you just want to plug in and play.
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With the new ME-80, however, Boss clearly prioritized ease of use, and this surprisingly utilitarian, powerful, and portable unit is relatively simple to operate, a lot of fun, and great for home demo studios, small, informal gigs, and even unorthodox tinkerers who like the straightest possible line to the most possible sounds. Tough, Easy to Toss Around The ME-80 is built for moving from place to place fast, and while it’s not super-light, it’s sturdy as hell, with an almost entirely metal enclosure and chassis. Apart from the knobs and switches, there’s very little plastic. You can also power the ME-80 with six AA batteries, which means you can pick it up and move from room to room, or go from jamming through headphones in the kitchen to blasting through your amp—all with the uncomplicated glee of a kid toting around his battery-powered keyboard. If you’re a busker, play pub gigs, or perform at the farmer’s market, this kind of portability can be invaluable. The addition of USB connectivity maximizes the creative potential of the ME-80 too. Once you’ve downloaded the ME-80 software, you can literally be writing a riff with the device in the backyard and capture the same sounds on your DAW up in your office a few minutes later. Obviously, the ME-80 isn’t the first multi-effect unit or modeler to deliver portability and connectivity. Devices like Line 6’s POD and Boss’ own GT-100 have similar capabilities, and the ranks of tablet- and smartphone-based guitar interfaces seem to grow daily. But the ME-80 offers an interface that’s much more familiar and intuitive to the typical stompbox user, and arguably, a whole lot more fun to play with than other devices. For starters, the ME-80’s interface is basically a little hive of stompboxes.
Each of the four footswitches closest to the guitarist is a bypass switch dedicated to one of four effects groups: compression and FX1 (which includes a ring modulator and acoustic simulator among others), overdrive and distortion, modulation, and delay (which also includes a looper). Each effects group has a dedicated set of knobs, including one that selects a specific amp or effect type. To the right of the footswitches, there’s an expression pedal for operating pedal effects (wah, talk box, Whammy-style octave up and down functions, and more). You can also use the pedal as an expression pedal to control modulation rates and delay level. The two leftmost pedals in the top row also let you select presets when in “ memory ” mode, which is activated by the upper right switch. There’s a raft of cool factory presets. But creating your own is a straightforward, three-step process. Sound Horizons The sounds inside the ME-80 range from really good to passable, depending on the effect or amp. Some voices, sounds, and effects—the “tweed” amp, the delays, and the tremolo effect—have a warm, organic quality and relatively natural dynamic response. Others—heavy phase settings, the ring mod, and most of the heavy distortions—more readily betray their digital roots. The effects typically put function before freak-out potential: There’s few deep, ambient space verbs and fractured delay sounds to be found here. Still, with a bit of tinkering and an adventurous spirit you can create a lot of unusual, recording-worthy textures, and the right pairings can make the ME-80 sound very lush. The “harmonist” (which can be set for thirds, fourths, fifths, sixths or an octave above and below) and a little boost and tape echo will make you sound like Duane and Dickey without the expense and hassle of a second guitarist. There are some peculiarities to get used to on the ME-80.
For one thing, you have to keep effect levels for modulation and delay effects uniform with OD and comp effects if you’re using more than one effect. For example, if you’re about to launch into the Uni-Vibe segment of raging Hendrix solo and the “uni-v” effect level is too low, you’ll experience a highly anti-climatic signal cut for the whole effects chain rather than for just the selected effect level. This type of signal cut might makes sense when you’re trying to keep a hot fuzz in check, but it makes less sense for other effects. The workaround is to create a preset. But if you prefer to play without them you have to be careful about effect balance. The End Line The features covered here represent just a fraction of what the ME-80 can do. And while the ME-80 is not without limitations (most often these are fair tradeoffs for simplicity), it’s a smart, streamlined way of getting a lot of sounds for very little dough. Some sounds, like the delays, combo, and tweed amp voices are a real pleasure to use and have a relatively organic feel. Others—most notably the high-gain distortions—exhibit a more digital edge and lack the touch and reactivity of the genuine article. The unit definitely sounds best when paired with a tube amp with a neutral EQ setting. But cleaner sounds are effective with a good PA when you use the internal speaker simulator and dial up a sweetening EQ that massages highs and mids. The real magic of the ME-80 is it’s ability to deliver so many reasonably convincing sounds in a sturdy package you can power with a pack of AAs or DC adaptor. That means a wealth of possibilities for remote performance and production. If all you have is a set of headphones, you can practice anywhere. Hook the ME-80 up to a battery-powered amp and you can play for the rest of the world at any location—say, jams on a mountaintop—with all the functionality of a traditional, familiar pedalboard.
Taken together, the ME-80 is a set of smart design compromises in a multi-effect unit so affordable and easy to interact with that it rarely feels like any kind of compromise at all. Review credit: www.premierguitar.com Boss ME-80 Played by Gus G Video Demo effects live recording recording reviews stompbox video Previous Moser V BVi Guitars Next The Tone King Video Music Gear Review Channel On YouTube Related Articles Amplifiers Crate DX-212 Guitar Amplifier Review Charlie Amplifiers 10 With its brushed copper front panel, big black knobs and jellylike, illuminated keypad, Crate’s digital DX-212 looks like a Sixties vision of the future. The knobs (Master, volume, gain, bass, mid, treble. Now it’s a collectors item still used by top guitarists. Any assistance would be MOST appreciated. I AM NOT looking for a free bee. I’m willing to pay a reasonable price, but I cannot find the manual that came with it and would like to find the manual.Enter For Guitar Giveaways. Enter your email address: Sponsored by Guitar Giveaways. Topics You Might Enjoy. Ernie Ball Offers a Solution 0 About Charlie Hi, I'm Charlie. I got my first guitar for x-mas when I was 11 years old. It was an usual 80's Peavey T-15 that had an amplifier built into the hard case.My inspiration for guitar is about the actual instrument in my hands; being able to shape my own unique tones, setting-up my equipment, modding, and inventing new sounds, aka Eddie Van Halen using an electric drill to make a lunatic sound. A list of modern browsers is below; simply click an icon to go to the browser’s download page. Would you like to visit Browning International? If you cannot find the manual you need please use our online order system or contact us directly at any time by e-mail or by phone during office hours. It is important that you read and understand your firearm's owner's manual thoroughly before using it. They range in size from 1mb to 10mb. These files require Adobe Acrobat Reader 6 or above.
If you do not have this program installed on your computer, you will not be able to view these files. If you need Adobe Acrobat Reader you can get this free program from Adobe. Try our on-line manual order form. If this does not seem to work, we recommend you click the links below with your right mouse button, then select Save Target As from the menu (or similar wording, depending on your browser). How seriously you take these responsibilities can be the difference between life and death. There is no excuse for careless or abusive handling of any firearm. At all times handle this firearm and all other firearms with intense respect for their power and potential danger. Please read and understand all of the cautions, warnings, notices, proper handling procedures and instructions outlined in this owner’s manual before using your new firearm. Be extremely alert and aware of all persons and property within the range of your ammunition. Mechanical “safeties” are designed to place your firearm in a safer status, and no guarantee can be made that the firearm will not fire even if the “safety” is in the on safe position. Mechanical “safeties” merely aid safe gun handling and are no excuse for pointing your firearm’s muzzle in an unsafe direction.Always treat this firearm with the respect due a loaded, ready-to-fire firearm. Remember, merely removing the magazine does not mean the chamber is unloaded. Always keep the chamber empty and the “safety” in the on safe position unless shooting is imminent. Wear hearing protection (shooting earplugs or muffs) to guard against such damage. Allow proper distance (eye relief) between a scope and your eye when firing a scoped rifle, shotgun or pistol. Do not use unorthodox shooting methods that could cause the rearward travel of the slide or bolt of a firearm to contact your eyes, face or hands.
Always keep a safe distance between the muzzle of your firearm and any persons nearby, as muzzle blast, debris and ejecting shells could inflict serious injury. Be extremely careful while hunting or during any shooting activity to avoid dropping any firearm. The following rules should always be observed by you and those you hunt with. Always make certain that the stand being used is safe and stable. Always make certain that your firearm is unloaded when it is being taken up and down from the stand. Always make certain that your firearm is not dropped from the stand, or dropped while it is being taken up or down from the stand. Store all firearms in secure, locked cases or a gun safe. Keep your firearm unloaded when not in use. It only takes a small obstruction to cause dangerously increased pressures that can damage your firearm and cause serious injury to yourself and others. Rotate the ejection area of the firearm away from you, carefully open the action and remove the shell from the chamber. If the primer is indented, the defective shell should be disposed of in a way that cannot cause harm. If the primer is not indented, your firearm should be examined by a qualified gunsmith and the cause of the malfunction corrected before further use. Glance down the barrel to make sure that no obstructions remain in the barrel. Completely clear the barrel before loading and firing again. Failure to follow these instructions can cause extensive damage to your firearm and possible serious injury to yourself and others. Store all shells of different gauges in completely separate and well-marked containers. Never store shells of mixed gauges in a common container or in your pockets.It is your responsibility to read and heed all warnings in this owner’s manual and on ammunition boxes.
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